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Male Model Gets Sucked by Women in Art Class Videos

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photograph Courtesy: Amy Davis/Baltimore Lord's day/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've always taken an art history class or spent time in a fine arts museum, chances are yous know a lot about the men who "defined" their mediums. Every bit with other subjects, most of what nosotros learn about fine art history today still centers on white men from Europe and, later, the Us. In reality, there are and so many more artists of all genders to acquire from and appreciate.

Here, we're specifically taking a look at simply some of the women who have had lasting impacts on their art forms. From some of the art world's most iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, even so accept a hand — in changing the globe of fine fine art and how nosotros define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney Academy in Pennsylvania for more than thirty years. Later on studying the work of painters similar Cézanne and Monet while abroad, she returned to the United states of america, condign best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Ii photographs from Cindy Sherman'southward Untitled Moving picture Stills (1977–80). series. Photos Courtesy: Museum of Modern Art (MoMA)

Lensman Cindy Sherman was part of the Pictures Generation during the 1980s, and is peradventure virtually well known for her series of Untitled Film Stills (1977–80) — self-portraits in which Sherman "posed in the guises of various generic female film characters, among them, ingénue, working daughter, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A nevertheless from the performance Cut Piece, 1964, and a picture of the installation Half-A-Room, 1967, equally seen at the Museum of Modern Fine art in New York City in 2015. Photos Courtesy: Museum of Modern Fine art (MoMA)

You lot might outset recall of Yoko Ono every bit a musician and activist, but she's also an accomplished performance and conceptual creative person. Ono was considered a pioneer in the functioning art movement, earning the nickname the "High Priestess of the Happening".

One of her nearly revered works, Cut Piece, was a operation she first staged in Japan; Ono sat on stage in a nice suit and placed scissors in front end of her, and, in an act of daring vulnerability, invited audience members to come up on phase and cut abroad pieces of her clothing. "Fine art is like breathing for me," Ono has said. "If I don't practice it, I beginning to asphyxiate."

Betye Saar

Betye Saar's Black Girl'southward Window, 1969 (full and particular). Photos Courtesy: Museum of Modern Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied pattern and was employed equally a social worker. A printmaking elective changed her entire career trajectory — and, in turn, office of the trajectory of art history.

Saar was part of the Blackness Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Blackness Americans. "To me the fox is to seduce the viewer," Saar has said. "If yous can get the viewer to expect at a work of art, and then you lot might exist able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo'due south 1939 painting Las Dos Fridas at the World Forum of Civilisation in 2007, which was held in United mexican states. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to notice someone who hasn't at least heard of Frida Kahlo. A self-taught painter from United mexican states, she is best known for exploring themes like expiry and identity through her self-portraits. Kahlo often used bold, bright colors to create her symbol-rich works, and was regarded every bit one of the almost influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Backwash of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2022 in Washington, D.C. Photograph Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, but she'southward also known for her hyper-existent sculptures, polka dots, installations, and then much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former First Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more than common in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald's work — and her signature grayscale skin tones — as she was the kickoff Black adult female to complete a presidential portrait for the Smithsonian'due south National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors abreast a piece of work from her series, Pelvis Series Cerise With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, y'all probable associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, just perhaps, the skyscrapers of New York City. In the 1920s, she was the commencement woman painter to gain the respect of the New York art world, all past painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Lion for best artist in Okwui Enwezor'due south biennial exhibition All the World's Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question society, identity, and racial politics by demanding the audience to face truths well-nigh themselves. She ofttimes challenged people on the streets of New York to approximate her race, socio-economic class, and gender — all while dressed as a Black human being with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front of a photo in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to written report art in Los Angeles, California — before the Islamic republic of iran Islamic Revolution took identify. She is best known for her photography, motion picture, and video piece of work, much of which explores the relationship between Islam'southward cultural and religious systems and women. Moreover, Neshat'south works oft create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in forepart of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on ad billboards, projects onto buildings and adds to electronic displays or neon signs.

These works brandish phrases that act equally meditations on diverse concepts, such as trauma, knowledge, and hope. 1 of her more notable works, I Odour You lot On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photograph Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore'south art addresses identity and history — and, in particular, houselessness and the voicelessness of the Starting time Nations People in Canada. As an Anishinaabekwe creative person, she works to enhance awareness around the prejudice, violence, and attempted erasure of Indigenous Due north American culture. In 2005, she was the first Indigenous woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photograph Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation fine art and sculptures — like the spider in a higher place — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a fourth dimension when brainchild and conceptual fine art were the main styles shaping the fine art world.

Mickalene Thomas

Mickalene Thomas' A Petty Taste Exterior of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by popular culture and pop art, Mickalene Thomas oftentimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Blackness American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago'due south seminal work The Dinner Political party. Photograph Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Art movement. Equally exemplified in her iconic work The Dinner Party, her installation pieces often examine the role of women in history and culture — in the 1970s and before. While at California State University in Fresno, Chicago founded the first feminist art program in the United states of america.

Augusta Barbarous

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Fell was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In add-on to creating breathtaking sculptures, often of Black folks, Savage founded the Savage Studio of Arts and Crafts in Harlem in 1932, and, a few years later, she became the outset Black American elected to the National Clan of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Mod Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body art". (Just await up her virtually famous work, Interior Ringlet, and y'all'll see what nosotros mean.) She used her torso to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established past our patriarchal gild.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In add-on to documenting New York Metropolis's queer subculture mail service-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to y'all? Well, that'southward the idea! Elaine Sturtevant, who went by her last name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-correct copies of big-name artists' piece of work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the construction of art culture.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa'due south terminal public commission was the Garden of Remembrance at San Francisco Land University, which was created to recognize Japanese Americans who were interned during World War II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on Nov 8, 2007 in New York City. Photograph Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a lensman since the age of nine. She uses her photography to examine social norms, and, in doing then, displays diverse subcultures in formal portraits — just in a fashion that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Dominicus) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2022 and the Creative Honour from the Gender Justice League in 2016. She believes didactics is the path to liberation and uses VR and fine art to address global issues such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Colour exhibition at Barbican Art Gallery on May 29, 2022 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who besides specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and aggregation to her portraits and murals for the Works Progress Assistants (WPA).

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